Jacobinte Swargarajyam movie review:
Jacobinte Swargarajyam movie
review:
‘Jacobinte Swargarajyam’ movie review: Nivin Pauly
starrer is an old wine in a refreshing new cocktail
Vineeth
Srinivasan, on his fourth directorial venture ‘Jacobinte Swargarajyam’, has
woven this old formula into a refreshing cinematic experience, showing
discipline while handling dramatic situations in the movie.
Family entertainers, an
age old success formula of mainstream Malayalam cinema, is always a safe bet in
this industry as movie makers over the years have used Malayali’s sentiments
for family attachments to great successes on screen. Vineeth Srinivasan, on his
fourth directorial venture ‘Jacobinte Swargarajyam’, has woven this old formula
into a refreshing cinematic experience, showing discipline while handling
dramatic situations in the movie.
The movie, based on a
true story, follows the life of an NRI businessman, Jacob, and his family who
are settled in Dubai and visualises how closely knit family relations stick
together at times of crisis. The director has used his observations to good
effect as the strong relationship bonds inside Jacob’s family members and their
informal homely behaviour was captured with shots that impart warmth and
positive vibes, like the feel of an early morning coffee.
Renji Panicker dons the
title role of Jacob, a righteous business enterprenuer and an ideal family man,
while Lekshmi Ramakrishnan portrays the powerful role of Jacob’s wife Sherlyn,
a lion hearted woman. Nivin Pauly, other lead actor of the movie, essays the
role of Jacob’s elder son Jerry while Sreenath Bhasi, Aima Sebastian and Stacen
play Jacob and Sherly’s other kids, Abin, Ammu, and Chris, respectively.
The growth in Vineeth
Sreenivasan’s direction skills are reflected on his characters as each of them
have an identity and importance in the movie. The entire cast of the movie do
justice to their roles and debut actor Ashwin Kumar needs a special mention for
his imposing screen presence as Murali Menon, a rude businessman.
The movie gradually
progresses into more captivating situations with effects of global economic
recession prompting an ungraceful fall of Jacob and his family from their
financially secured happy lives to survival struggles of an ordinary human. It
is at this point that Jerry, with the support of his clear headed mother, steps
up in life and starts everything again from scratch to sustain their family,
which forms the crux of the movie.
By glorifying the
economic and infrastructural development of Dubai and simultaneously ridiculing
Kerala’s pot holed roads, Vineeth Sreenivasan, the scriptwriter, seems to have
ignored how the blind notions of profit motive development and corporatisation
of natural resources is wrecking our natural ecosystem worldwide.
On the other hand, being
cautious to avoid many scenes in the movie from slipping into over dramatic
clichés, he is without doubt improving as a director with every movie. The
editing team also needs to be appreciated for their crisp interventions between
shots of emotional intensity, thus allowing a smooth flow to the move. The
songs of the movie, composed by Shan Rehman, might not make imprints on the
heart, but the movie just might.

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