KALI MALAYALAM MOVIE REVIEW
KALI MALAYALAM MOVIE
REVIEW
Anger at the tip of
your nose does no good to anyone. Its not my finding but a simple truth. Sameer Thahir‘s Kali has
an angry young man as its protagonist who looses his temper at the slightest of
provocation. Kali is a decent movie to watch with Dulquer Salman and Sai
Pallavi of Premam fame taking the film forward sharing a good on
screen chemistry between them. At the same time Kali is not a great film either
but definitely watchable.
Sidharth and Anjali
are friends from college days who are now husband and wife. As said, the young
man is a bad tempered guy that even a small thing can bring imbalance to his
nature. Anjali tries her best to make change in him and make him calm but that
nature in Sidharth is something that is inside him from childhood and hence not
changeable overnight. A particular incident they end up due to the hot tempered
nature of Sidharth is what that forms the basic crux of the remaining part of
the film.
Sameer Thahir has
divided the film into two parts and given a totally different shade and
dimension to the two. The first half for a major time basically show the family
life of the couple where Anjali is struggling to control the emotions of her
husband. Though they both are happy, the discontent between the two happen only
when Sidharth looses his cool.
The latter half
deviated from the first half and has a dark shade to it giving more prominence
for some thrills. Few more characters are introduced in the process where the
film takes the shape of a mini road movie happening towards the night time.
There is not much
depth in the story. It try to show a man’s character of anger which lead him to
trouble. There are situations in our life where a simple thing towards which we
could have closed our eye or ignored gets out of control. Here too the
situation is no different. The protagonist realises this fact in the end.
Sameer Thahir who
impressed one and all with a visually appealing road movie Neelaakasham
Pachakadal Chuvanna Bhoomi that also had Dulquer Salman in the lead on the
making side has done a good job. Here too in Kali, the treatment is clean and
the execution of the major part of the story that happens on a single night
helped the film’s cause for the good.
Dulquer Salman
perfectly fitted into the role of Sidharth. The anger coming out of him after a
little provocation seemed natural and I felt the role to be one tailor made for
him. Sai Pallavi had a great on screen chemistry with Dulquer and as the better
half of Sidharth. Her Malayalam dubbing was poor and a bit annoying too but
later when we realise that she grew up in Masanakudi, a place close to Tamil
speaking area, one could understand that slang was natural to her. But again
didn’t find any issue when her parents talked Malayalam, so the diction had its
share of trouble.
Vinayakan was highly
impressive. The film begin with an incident connected with this man and he made
sure his character gelled well with the film. Chemban Vinod after making a good
impression in Darwintey Parinaamam makes another notable act though the character
in Kali is not that lengthy.
A film these days
without Soubin Shahir is unimaginable. Though he didn’t have a big role at his
side, his trademark style was visible in each of the scene he was part of. VK
Prakash, Vanitha and a few more actors are part of the supporting casts with or
without much significance.
Kali is visually
appealing as well with neatly executed choreography. Gopi Sundar’s music was
okay and his background score gave a different feel to it. Though the use of
Chenda in the BGM was something he tried in Puthiya Niyamam, the one in Kali
too is good overall.
This film is not a
great one with a heavy content but is definitely a watchable film. I didn’t
find it a bad one and at less than two hours, Kali didn’t find
itself boring for me. Lower your expectation level a bit and then you will find
it an okay movie.

Comments
Post a Comment